Embodied Cognition, Perception, and Performance in Music

Music Perception and Cognition

Music perception and cognition is the area of cognitive psychology devoted to determining the mental mechanisms underlying our appreciation of music, and in this chapter we review the major findings. We begin with the perception and cognition of pitch, which is the most thoroughly researched area in the field. We then consider perceptual organization in music in the dimension of time, followed ...

Music Perception and Cognition

Origin of music and embodied cognition

thoughts, knowledge instinct

Embodied Music Cognition: Trouble Ahead, Trouble Behind

These are interesting times for the Embodied Music Cognition (EMC) framework. Briefly summarized, EMC relies upon the hypothesis that embodied sensorimotor engagement is essential to both production and perception of music (Leman, 2008; Leman and Maes, 2014). This hypothesis, while suitable for accommodating different research methods used in empirical musicology (Godøy and Leman, 2010), may be...

Music Cognition: Learning, Perception, Expectations

Research in music cognition domain has shown that non musician listeners have implicit knowledge about the Western tonal musical system. This knowledge, acquired by mere exposure to music in everyday life, influences perception of musical structures and allows developing expectations for future incoming events. Musical expectations play a role for musical expressivity and influence event proces...